The Lilith Blog

The Lilith Blog

December 30, 2020 by

The Pop Culture That Got Lilith’s Staff Through 2020

We at Lilith, like everyone on earth, couldn’t be happier to say goodbye to 2020— but before we go, here are our recommendations for the books, podcasts, and television shows that helped us make it through the year.

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The Lilith Blog

December 23, 2020 by

Art and Aid: an Interview with Margot Spindelman

A sample box from the BoX Project

When crises hit — whether fire, flood, or global pandemic — righteous people mobilize by bringing food, water, clothing, medical care and emotional support to those in need. These mutual aid networks often do what governments do not: offer concrete help to communities long ignored by public agencies.

Not surprisingly, COVID has led to a surge in such networks, with individuals in every part of the country phoning isolated seniors, feeding the hungry, tutoring kids and helping society’s most vulnerable populations with everyday chores.

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The Lilith Blog

December 21, 2020 by

7 Jewish Feminist Highlights of 2020

Let’s face it—2020 has been a clusterf**k of a year, and I can’t wait to see it recede in the distance of my rearview mirror. While most Jews have observed Passover, the High Holidays, and Chanukah virtually, the national COVID fallout from Thanksgiving, Christmas, and New Year’s is likely to be heartbreaking, even more so given that a vaccine for most of us is just months away. The murders of George Floyd and Breonna Taylor tragically reminded us that we must continue to fight to make the truth that Black Lives Matter self-evident. And among the many, many hits that democracy took this year was the ramrodding of Amy Coney Barrett into the Supreme Court seat that Ruth Bader Ginsburg honorably and notoriously held from 1993 until her death on erev Rosh Hashanah. 

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The Lilith Blog

December 17, 2020 by

Say What You Mean: Merry Christmas

When I was a kid, our house was pitch black in a sea of red and green lights. Lit up reindeer and plastic santas greeted me from the neighbors’ yards. It was beautiful. I wished we could have the same decorations.

One year, I decided my parents really could benefit from the belief in Santa. And even though Santa didn’t even visit our Jewish home- erroneous!- I hatched a plan. I took a small plastic cat from my collection of toys and went over to my parents in the kitchen. 

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The Lilith Blog

December 16, 2020 by

This Hanukkah, Illuminating the Power of Feminists

Four years ago, I sat in a communal Shavuot learning program. I recall thinking to myself, what is the Torah that the Jewish people need right now? The answer became crystal clear: it is feminism. 

The next year, I decided to experiment and organize an event called Feminism All Night. The vision was inspired by the Jewish holiday of Shavuot and brought feminist thinkers together to teach and learn communally about feminism. The success was overwhelming, with over 100+ attendees and over 12 sessions that had us staying until 4 AM. 

Since then, I have been cultivating this project by designing immersive feminist communal learning experiences centered on Jewish holidays. We hosted Feminism All Day for the holiday of Sukkot and expanded our events from Oakland to various cities, including Boston and Tel Aviv. Our community has grown to over 1500 people!

This year we decided to bring our vision of feminist Jewish learning to Chanukah. On the 7th Night of Chanukah on Rosh Chodesh Tevet is the traditional celebration of Chag haBanot (Eid al-Banat in Arabic), a North African Jewish Festival of the Daughters. The holiday elevates women’s power–the strength, wisdom and resilience of women throughout the ages. Women, young and elderly, would gather for a celebration together to delight in sweets, sing prayers, dance, and give gifts to each other, particularly gold coins and jewelry. 

The holiday is associated with legendary and midrashic traditions or literary and historical traditions, about bold, wise, courageous and determined women who saved their people with their resourcefulness, wisdom, courageous hearts and heroism, and changed historical circumstances in antiquity. 

Chag haBanot elevates the heroism and resourcefulness of brave, bold and wise women, such as Queen Esther, Judith daughter of Merari, or Hannah [sometimes Miriam], daughter of Matityahu. In times of danger to their people, they gathered courage, devotion, strength and resourcefulness, and acted in extraordinary ways that are recorded in the chronicles and told by the women on The Festival of the Daughters.

Feminism All Night is committed to creating space for feminist learning and particularly uplifting Mizrahi traditions in the Jewish world. Our programming has centered Mizrahi feminist educators from the beginning. We love celebrating the sacred traditions and teachings of Mizrahi communities and bringing them forth to the wider community. 

This year, on December 16th and 17th, we are hosting Illumination: A Chanukah Celebration of Devotional Arts and Embodied Prayer. Illumination is a collaboration between Hadar Cohen and Taya Mâ Shere. It is a partnership with Kohenet Hebrew Priestess Institute and is supported by Moishe House. The festival includes prayer, workshops and celebration. In honor of this celebration, we are featuring North African Jewish feminists–artists, teachers and spiritual leaders–on our Facebook and Instagram pages. Our programs are open to people of all genders and faiths and we invite you to join us–register here!

Some of our featured feminists include:

Sivan Tahel, a Moroccan activist and leader who was a lead organizer of Feminism All Night in Tel Aviv, January 2020, centered on Mizrahi Identity. 

“Feminism is the mother of all struggles and everything connects to it. Feminism for me is solidarity, support networks of women, empowerment that is expressed in action, advancing other women and caring for their well-being, emotionally and financially. It is the ability to hear and listen to various strands of feminism, while respecting and embracing the diversity within the group of women. Feminism is the expansion of the feminist struggle with reference to power structures, ethnicity and status.”

Nellie Alimi, a Tunisian and Algerian French artist who is working to preserve the North African rituals and traditions that she grew up with. Her family celebrated Eid Al Banat, and she will be sharing more about her familial lineage celebration at our Artistic Showcase. 

“Feminism for me, is about elevating other women, showing a different type of leadership, embracing our own selves, not trying to fit into the white male model, speaking out truth, educating the world about strong women leaders and their challenges.”

Daniela Labi, a Libyan feminist artist and community organizer. Daniela was one of the lead organizers for Feminism All Day 2019 in the Bay Area. 

“To me, feminism means celebrating the true feminine power that lies within all of us. Feminism is the act of re-calibrating society so that we honor this power, lift it up, and use it to return to true alignment with g!d, the earth, and the universe. My mother was born and raised in Tripoli, Libya. She fled with her family in 1967, during the Six Day War, just months before she would’ve entered her last year of high school. For years, my ancestors lived in the deserts of Libya, and I feel the divine responsibility to capture their stories so that they are not lost to eurocentrism and whiteness.”


Hadar Cohen is a multimedia artist, educator and healer. She is the founder of Feminism All Night. To learn more about her work visit hadarcohen.me.

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The Lilith Blog

December 15, 2020 by

Dr. Jill Biden Earned Her Title

Let’s get the facts out of the way first. Dr. Jill Biden earned her doctorate from the University of Delaware as a woman in her 50s, returning to study after raising a family. Joseph Epstein did not earn a doctorate in his 50s, 40s, or any other decade. In a recent – and misogynist, racist, and deeply offensive— editorial in The Wall Street Journal that has already generated a huge amount of pushback from academics both online and off, Epstein calls on Dr. Biden to stop using her title as an honorific. 

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The Lilith Blog

December 15, 2020 by

The Sufgania That Made Me Feel At Home In a Place That Rarely Felt Like One

In pre-pandemic years, when Hanukkah drew close, I’d find myself wandering the streets of New York in search of the perfect sufgania. I’d walk down to Breads Bakery in Union Square and order one of each kind, jelly-filled, plain, chocolate covered, then furtively bite into them on the way to the subway. The next day I’d travel all the way to the Lower East Side and get half a dozen, neatly arranged in a white cardboard box. This time I’d patiently wait until I got home, and slowly consume one in my overheated kitchen, hoping perhaps that the familiar setting would also infuse the fried pastry with a taste of the past.

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December 14, 2020 by

Let it Be Dark. Rest Your Eyes.

Welcome to Kislev, for people in the Northern Hemisphere, a time for dreaming in the dark.  We have lived through a long, difficult year, a year of intense challenges and overwhelming losses. We are exhausted, and all too aware of how much remains to be done. It can be hard to put our attention on the wins. 

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The Lilith Blog

December 9, 2020 by

“The Occupation is a Worse Virus,” and More from The Other Israel Film Festival

Photo credit: TIL KINGDOM COME/ABRAHAM ABIE TROEN

New York has more than enough Jewish gathering points, so what’s lost and what, if anything, is gained when the city’s 14th annual Other Israel Film Festival from the Marlene Meyerson JCC goes virtual?

The main advantage is the joy of being able to stream the festival, which ends Dec. 11, throughout the US. It’s not too late to binge the festival’s features, documentaries, shorts at https://www.otherisrael.org/ The festival Q&As with filmmakers are numerous and streamed post-event. Select breakout sessions with other viewers are a virtual substitute for those film discussions on line outside the ladies room. (Remember those days?)

And there’s the intrusive intimacy of Zoom – is that Carole Zabar partially hidden by pillows during a Q&A question? Long time filmmaker Lilly Rivlin’s brown cardigan is hanging from the knob of a partially opened closet door behind her. A bedroom is at least a break from cable commentators’ living room bookshelves.

Carole Zabar’s founding vision was a film festival showing the “Other Israel” – minorities, women, Palestinians not part of the Zionist dream or Israel propaganda.

This year’s selection of films feels more freewheeling. There’s the shock of the Other America in “ ‘Til Kingdom Come,” a documentary showing the unholy alliance between Zionist Jews and Evangelicals raising millions of dollars for Israel. The Kentucky Bible belt poverty is so unbelievable that Yael Eckstein, daughter of Yechiel Eckstein, founder of  Holyland Fellowship of Christians and Jews, wonders if people actually live in the falling down houses. 

Another departure for the OIFF, “Kings of Capital Hill” documents the power of AIPAC (American Israel Public Affairs Committee), the Israel lobby. Women made both these films, and what an achievement that it’s no big deal.

I’d like to say “My Dearest Enemy,” a woman made and woman financed feature about a Jewish and a Palestinian girl reunited after 25 years, is a must see. Alas, the film, directed, produced and written by Tzipi Trope and financed in part by Itzili Charney (founder of the Leon Charney Resolution Center), is not as good as the two women’s Q&A. Their passionate session is moderated by JCC film center director Isaac Zablocki from the empty bar of Gazala’s, the Upper West Side Druze restaurant kept going by festival participant Gazala Halabi. Watch the streaming Q&A for the chemistry between the two women and Trope’s just-do-it determination. “Making a documentary, I just go to my car, shoot film myself, and get a shlepper to edit for bubkas.” She says, “We’re in a virus. The Occupation is an even worse virus. It’ll kill a lot more people.” Her message: “We need to develop a vision for the future. We have to find the Martin Bubers of our vision.”

So who will be our Martin Buber?

I’m not nominating the mayor of Ramallah, but “Mayor” is certainly my pick so far of this year’s OIFF. American director David Osit’s prize-winning film of Musa Hadid, the Christian mayor in the historically Christian Ramallah, makes you want to end the Occupation now. Hadid’s up against the impossible – running a city without a country. He does it in a suit, with dignity and stays on message: “This is our city, our land.” He controls the Christmas celebration but not the police.

Israeli soldiers arrive for a surprise night attack of tear gas in front of the classy, glassy city hall by the Café de la Paix then pose for selfies in front of the plaza’s Christmas trees. It’s absurd; it’s wrenching; it’s immoral. The mayor wipes tear gas from the eyes of an injured journalist then pulls Osit out the next morning to film the new doors he’s gotten installed at a local school. One sign of progress –the women students from Birzeit University are told by the mayor that involvement in municipal government is the most worthwhile thing to do. Watch the streaming Q&A with the director and go to Film Forum to screen “Mayor” https://filmforum.org

And we can reach out from our Covid cocoon to support repairing the world NOW. The OIFF site includes the NIF (New Israel Fund) action guide for each film and the festival’s sponsors are numerous. To support life as we knew it pre-Covid, renting “Mayor” from Film Forum helps keep a beloved temple of movies alive. Ordering a meal from Gazala’s helps keep one fine woman-run restaurant in business.

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The Lilith Blog

December 9, 2020 by

Two Generations of Women …and a Stolen Menorah That Haunts Them

In Nine Tenths of the Law (Kasva Press), Claudia Hagadus Long tells the story of two generations of women and the stolen menorah that haunts them. It’s 1939 and a beautiful, heirloom menorah is ripped from the hands of Aurora, its young owner.  The Nazi who grabs it has eyes for more than just the menorah, and singles Aurora out for “special duties.”  Decades later, on another continent, she sees the menorah in a museum and tells her daughter, “That was mine.”  But it’s only after her death that sisters Zara and Lilly embark on a dangerous mission to reclaim what was once theirs.  Long talks to Fiction Editor Yona Zeldis McDonough about memory’s dual power to wound and to heal. 

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