Amy Stone
Park your Jewish feminist preconceptions at the door of this Israeli “insider film” on life within the world of Tel Aviv Hasidim.
Film News and Reviews
Park your Jewish feminist preconceptions at the door of this Israeli “insider film” on life within the world of Tel Aviv Hasidim.
Quick cut to the Faigele Film Festival’s screening of “DevOUT,” the 37-minute video where lesbian Orthodox Jews explain why they want to be true to both their faith and their sexuality.
It’s the love stories and the mysteries of the Holocaust that can bring something fresh.
In Darkness, a film by Polish director Agnieszka Holland (Europa, Europa), is based on the true story of Leopold Socha (Robert Wieckiewicz), a Catholic sewer worker and petty thief who, though not especially fond of Jews, is willing to court danger in 1943 Nazi-occupied Lvov in order to make some easy cash, and hides a group of Jews underground for over a year.
The Kutsher’s story testifies to the drive and determination that made Kutsher’s a piece of Jewish Americana for more than a century.
His monumental works have mostly vanished from the earth – bombed by Allied forces – but Erich Mendelsohn and his beloved Louise are brought back to life in Israeli filmmaker Duki Dror’s “Incessant Visions: Letters From an Architect.”
And how encouraging to see that fresh and touching ground remains to communicate the message that the bloodshed between Israelis and Palestinians is too inhuman to continue.
Finely crafted is the operative phrase for “Restoration.” The 2010 Israeli film (English subtitles) directed by Joseph Madmony tells the tale of Fidelman, an aging restorer of antique furniture stubbornly trying to hang onto his business.
You can’t accuse the New York Jewish Film Festival of being a front for Zionist propaganda, especially with the festival opener “Mabul” (The Flood).
I am an Israeli film junkie. Even though I visit my beloved other country often, I also depend on and delight in getting extra fixes of Israel vicariously through its… Read more »