Archive for October, 2009

Happy

Friday, October 23rd, 2009

Michelle Obama is hula-hooping for health on the South Lawn of the White House. Jamie Oliver’s going to teach obese America how to cook their vegetables, and eat them too. Herbivores, frugivores, and locavores are putting their stakes in the ground, amidst the moist dirt of organically grown slow food.

Meanwhile, my 20-month-old daughter went to synagogue over the holiday of Simchat Torah and learned the word “candy.” We were spending the holiday with my parents, and my girls were dressed in traditional New York Jewish holiday autumn glory, patent-leather shoes and red wool coats. On the way to synagogue, I noticed that other children on the sidewalk were carrying big plastic bags (luckily for them, they don’t live in Palo Alto, where plastic bags are illegal; I considered hauling them back West by the thousands, to sell on the sly at Whole Foods).

On the way home from synagogue, those children’s bags were full, Halloween-like, with candy. Lollipops, chocolates, sucking candies, soft candies, Fruit Roll Ups, Gushers, Reeses Peanut Butter Cups, Craisins, York Peppermint Patties, Snickers, M&Ms, gum, Jelly Bellies, etcetera, etcetera, etcetera. Luckily, being from Palo Alto, we were limited to our pockets.

This is not solely a New York phenomenon. When my oldest daughter was a young toddler, at our local synagogue, a kind-hearted older kid gave her a lollipop and opened it for her, in the course of the two minutes I’d turned my back. I was aghast, and immediately took the lollipop away. Tragic crying ensued. I decided that this attempt to shield my child from the relentless world of synagogue sweets was futile. I gave her back the lollipop. She sucked on it with wide eyes and a tear-stained face, then pulled the lollipop from her mouth, smiled, and said, for the first time, “Happy.”

Rabbi Eleazer of Worms, who, in the 12th century, formalized the ritual of putting honey on the slates of Jewish children attending Heder for the first time, would be delighted. This is one approach to teaching children how to love Judaism. My younger daughter hears the word “Torah” and immediately says “candy.” My older daughter learned to associate shul with “Happy” at a tender age.

But is this really what we want to teach our children? To associate religion with empty calories and fleeting sweetness, which leaves in its wake sticky fingers and an aching tummy, which must be later toned with hula-hooping? Shouldn’t we instead be serving them nutrient-rich, filling, and fulfilling foods? Isn’t that what we hope our Judaism provides us and our children? Something substantial and substantive?

And yet. I love the autumn in New York. And there is something especially magical about being in my parent’s Sukkah, especially, on a cold, brisk morning, for breakfast. And there’s no Sukkot breakfast like Entemann’s Crumb-Topped Donuts, freshly baked in the Bronx. As I took a bite one morning this past trip, my flax seed and oatmeal thousands of miles away in sunny California, I couldn’t help but smile, and mumble through the powdered crumbs, “Happy.”

–Maya Bernstein

The Heretics – What’s Not to Like?

Wednesday, October 14th, 2009

What’s not to like about a film called “The Heretics” from No More Nice Girl Productions. A film where the filmmaker, Joan Braderman, over B&W footage from her radical past, explains, “I considered myself an anarcho pagan post-situationist democratic socialist feminist. But as a woman who was I really supposed to be?”

Oh, the good ol’ days – in this case 1977, the year a group of women artists drawn to New York created “Heresies,” a feminist publication on art and politics. All-night political arguments in primitive loft spaces in Soho. Each issue put out by a different group of women so everyone learned everything in the days when magazine paste-up really involved paste. The shock of the straight women in the collective excluded from input into issue No. 3 – “Lesbian Art and Artists.”

1977 – the year after Lilith magazine’s first issue.

“Heresies” published 27 issues, from 1977 to 1993. And “The Heretics,” a 91-minute movie, goes out with an all-women crew to catch up with some of these fine women. The film premiered last weekend at the Museum of Modern Art in Manhattan. It will be screened at MoMA one last time, tomorrow (Thursday, Oct. 15) at 7 p.m. before hitting various film festivals.

Lots of the women are white haired now, and as tough and talented as ever.

In some ways, “The Heretics” is a walk down memory lane, to a time when everything was new, when consciousness raising groups truly raised our consciousness, and we really thought we could change things.

Well, maybe we have. The fact that “feminism” is no longer a magic word, the fact that a whole generation of women weren’t even born when Lilith and Heresies were conceived. The Heretics talk about the putdown by the men who controlled the art world 30 years ago and whose highest compliment to a woman artist was, “You paint like a man.” Groan. Heresies, the magazine, was examining the politics of art and the art world but substitute “Jewish” for “art” and we were all awakening around the same issues.

Joan Braderman, one smart woman, uses humor to keep the film from becoming a nostalgic or cobwebby rant from our impassioned Younger Selves. And lots of the women interviewed see their younger selves with humor. One of the Heretics recalls, not with pain but with understanding, how when she said the magazine needed a budget and a business plan she was shouted down. (Lilith, on the other hand, slaved over our budget and business plan. Who knew? We didn’t and neither did the [male] foundation director pushing us
through these hoops. He did point out that our proposed budget, arrived at out of total mental agony, predicting wildly successful returns, was wildly amiss. Alas.)

The Heresies collective never had a generation of interns to carry on. (Who knows whether Lilith interns will run with Jewish feminist issues as they see fit.)

At the end of the film, a 20something finds a trove of old Heresies issues, and she’s filled with joy. Hey, even non-Hollywood films yearn for happy endings.

–Amy Stone